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Harrison Releases Mixbus: DAW with and Analog Heart

Harrison's Mixbus

Harrison's Mixbus

Harrison – maker of fantastic analog and digital consoles – has released it’s own take on the DAW, which begs the question Who cares?

But what makes this particular workstation unique is it’s design philosophy.  Mixbus was built as a customized version of Ardour, and re-introduces engineers to something simultaneously frustrating and inspiring: Limitations.

Harrison gives us a DAW that mimics an analog console.  They call it a “knob per function” design, which basically means each knob does one thing and only one thing. There’s also only four stereo mix buses for grouping and effects, which seems like a pain, but it’s a blessing in disguise.  How many times have you been asked to put 20 different kinds of verb on a single track? Wouldn’t it be nice to be able to honestly say “I can’t do that?”

The other and perhaps most important benefit of having a limited DAW is the way limitations force you to get creative and thoughtful with your mixing. Choosing a reverb becomes an important decision when you’ve only got space for one.

Here’s a list of details from the Harrison Site:

Mixbus Features:

  • Straightforward “knob per function” mixer layout based on Harrison’s renowned 32-series and MR-series music consoles.
  • Precision DSP algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing based on Harrison’s world-renowned large format analog and digital mixing consoles.
  • Unlimited stereo or mono input channels (based on available CPU power) featuring High-pass Filter, EQ, Compression, and 4 Mix Bus sends on every channel.
  • 4 Stereo Mix Buses (can be used for groups or auxes) featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation.
  • Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, and Limiting to help you make polished mixes.
  • Plugin delay compensation to support effects such as parallel compression.
  • Comprehensive “at-a-glance” metering with peak, peak hold, and compressor gain reduction visible on every track and bus.
  • Extensive DAW features via the Ardour Digital Audio Workstation.
  • Supports AudioUnit plugins and any CoreAudio interface.

This Daw looks awesome, and for $80 – it’s worth a shot if you’re trying to make the jump from analog console to DAW.

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