Archive for the ‘Uncategorized’ Category
Tweet #6470207566
Interesting anecdotes for musicians Overheard @ SF MusicTech – hypebot http://ow.ly/JXNO
Harrison Releases Mixbus: DAW with and Analog Heart
Harrison – maker of fantastic analog and digital consoles – has released it’s own take on the DAW, which begs the question Who cares?
But what makes this particular workstation unique is it’s design philosophy. Mixbus was built as a customized version of Ardour, and re-introduces engineers to something simultaneously frustrating and inspiring: Limitations.
Harrison gives us a DAW that mimics an analog console. They call it a “knob per function” design, which basically means each knob does one thing and only one thing. There’s also only four stereo mix buses for grouping and effects, which seems like a pain, but it’s a blessing in disguise. How many times have you been asked to put 20 different kinds of verb on a single track? Wouldn’t it be nice to be able to honestly say “I can’t do that?”
The other and perhaps most important benefit of having a limited DAW is the way limitations force you to get creative and thoughtful with your mixing. Choosing a reverb becomes an important decision when you’ve only got space for one.
Here’s a list of details from the Harrison Site:
Mixbus Features:
- Straightforward “knob per function” mixer layout based on Harrison’s renowned 32-series and MR-series music consoles.
- Precision DSP algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing based on Harrison’s world-renowned large format analog and digital mixing consoles.
- Unlimited stereo or mono input channels (based on available CPU power) featuring High-pass Filter, EQ, Compression, and 4 Mix Bus sends on every channel.
- 4 Stereo Mix Buses (can be used for groups or auxes) featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation.
- Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, and Limiting to help you make polished mixes.
- Plugin delay compensation to support effects such as parallel compression.
- Comprehensive “at-a-glance” metering with peak, peak hold, and compressor gain reduction visible on every track and bus.
- Extensive DAW features via the Ardour Digital Audio Workstation.
- Supports AudioUnit plugins and any CoreAudio interface.
This Daw looks awesome, and for $80 – it’s worth a shot if you’re trying to make the jump from analog console to DAW.







